O, Carson what have we done to deserve such majestic fuckery? Let me present the pilot episode of ‘The Carson Blazkowicz Show’. This is our submission into ‘Test Card’, a talent scheme by the Edinburgh TV Festival. I chanced upon an advert at this otherwise dull careers festival and went to see the boys afterwords who agreed to film this with me. It was this, or a completely scripted show which i don’t think we could have done on a budget of nothing. The result is what you see here, a weird talk show using the format as a way to push forward surreal comedy sketches. However, doing this has given us a little insight on what direction to take it from here. I hope that you enjoy this programme, and that you think it’s a good idea for us to continue making them. Otherwise, i’ll have to go back to trying to making Harry Potter fanfiction come alive in front of the greenscreen.
Misty Business is a documentary I made for University after they deemed my pitch for a doc about squatting in a Spanish hotel ‘so lame’. The title comes from Father John Misty, an artist who I have yet to ever listen to. But I always liked his name, and i thought it appropriate in the misty, empty place Scotland can be sometimes.
I’ve got to really thank all the people who appear in it, and Andy Donaldson (wecamefromwolves) who kept me company when i was cold and alone in Dundee filming at a bar i’d never been to before. Fun Fact : the barmaid at that place was the most unhelpful, unpleasant people I’ve tried to speak to in a bar. I was the only person in that whole bar, and she clearly didn’t like that she had to serve a customer and not chat with the chef for another 30 minutes about getting neck tattoos. Not that i have anything against neck tats…I just like getting served pints without getting sneered at.
Emily Atkinson who is a delightful singer also graciously let me film her soundcheck, which led to her becoming one of my favorite performers. I had seen her once before, but in the year that had passed she had significantly stepped her game up. It was mind-blowing, and now i’m a huge fan. You can find her stuff here.
I will be working on a follow up in the year to come, having already filmed a couple of interviews which would be perfect for it. I had to cut a lot of stuff out of this one for time constraints so it’d be good if i can get it to be around a half hour or so. I’ll get some people in it to totally trash the original doc.
The streets of Glasgow’s west end are full of unbearable hipsters and intense alcoholics. It’s only appropriate that we chose it as the location of our film The Butcher which is about an intolerable douche and his high school chum, who may or may not have homicidal tendencies. It features all the great locations of the city, like Anderston Crane…and the G12 union bar. This one was shot by the great Sam Rose, who is currently working on his pet project Death Police with conspirator Sam Mackeddie. More on that later. For now, enjoy the second part of the “tradesmen” trilogy, produced by the sumbarino brothers and Rose productions.
Not long ago, actor Peter Carson was at the top of his game, acting in multiple movie franchises and starring in his own TV show, but after a series of public outbursts painting him to be an outcast, the powers that be have been considering pulling the plug on his career in Hollywood. Best known for his starring role in ‘The Milkman’ and cult hit ‘Room 836’ Carson captivated audiences with his witty and emotional performances, but recently his career has hit a slump. Here at Bad Talk, we might have found out the answer.
A group of filmmakers have put an open call out to young people across Scotland to get creative and make short films as a way to make their voices heard on Brexit.
Young Filmmakers Glasgow have launched ‘No Frame Is An Island’, a project that consists of 30 second short films submitted by anyone aged 13 to 30. The submitted films are required to have no cuts or editing, consisting of a response to Brexit and a chance for your voice to be heard.
Sean Mcinally, the founder of Young Filmmakers Glasgow feels that doing something creative is the perfect outlet to figure out your identity and help voice a person’s opinions clearly. “It really helps to create. I think when you go to create, or when you have to refine your identity into something like a 30 second short film, it’s forced out of you so it helps a lot.
Last year the collective debuted the First Act Film Festival at the Centre for Contemporary Arts in Glasgow, showcasing some of the best films made by young Scottish people.
“It was our first year, it was great. We went in with it with pretty high ambitions, we wanted to bring in a big guest and we ended up securing Iain Smith who produced Mad Max : Fury Road, and that film had just won 7 Oscars or something. He did a speech that was so inspirational, he had a lot of wisdom about the Scottish film industry.”
This new project is similar to a film festival in that takes these homemade shorts to the big screen, adding a touch of cinematic flair.
“I can’t stress enough how important I think it is to do what we’re trying to do, there’s no better way to get young filmmakers making films than to promise them an audience of people that are gonna watch it, not just online. It’s a cinematic experience, it’s real people in a dark room, which I think is gold for a new filmmaker, especially today.”
This is new ground for the Young Filmmakers Glasgow, who haven’t curated their work with a political agenda in mind so far. “I think people are excited about it because I don’t think filmmakers have had a collective response or movement against Brexit yet, so we’re one of the first groups of filmmakers to tackle it as a whole.”
There is an assumption that most submissions will be from the remain camp, but they hope for the sake of the argument that they will be quite balanced. “Our group has always been very international, so we’ve got a strong European identity. The point is you don’t have to be Scottish, just based in Scotland, because Brexit affects everyone. I don’t think we’re gonna find out what we have until we bring the films together and get around to screening them but it’ll be exciting.”
Part of the group’s manifesto is anti-film school, disregarding the notion that you need to be a film graduate to make a film. ‘No Frame Is An Island’ is refreshing in it’s optimism that anybody can create a film, whether it’s been shot on a high priced film camera or somebody’s mobile phone. The group are hugely ambitious, one of their goals being the creation of Scotland’s first film studio. If they keep coming up with innovative ways to get people into film-making, they might just be the catalyst that Scottish film needs to become truly groundbreaking.
The closing date for submissions is January 31st 2017 and the screening will be held next month at the Gilmore Hill Centre, 9 University Ave, Glasgow on February 26th.
What? You didn’t see ‘The Milkman’? It’s one of the most revolutionary films in history! Recent history, of course. It’s been nearly a year since we set out to make Sam Mackeddie’s first short of 2016 – a series of short films that get worse and worse as the year goes on. However, with aid from Agent Sam Rose, Renaissance man Ray Syed, Playboy Matt Cameron, Primetime player Reetta Tihinen and Pete ‘Milkman’ Carson, there was enough competence from the hungover crew to complete this one and make it look all pretty and emotionally scarring. A year has passed and a lot has changed. We’ve all moved apartments, and lost each others phone numbers. I gained a lot of weight and got fat shamed on twitter. At least we have ‘The Milkman’ to remind us of a simpler time.
Here’s a new short about men going into the woods. A little creepy this one. It was shot when we went back home for a few days for Xmas.
Just one last thing before you go out for 2017. Harry Potter is back and bigger than ever, in his debut directors cut edition. That’s right, they’ve started the extended cuts, but only for specific films. This time it’s a new cut of the fourth film, arguably the first one to cut large chunks of the book out of the adaptation. With this latest edition, we will be able to bask in the original’s glory.
Hello, and goodbye. The year is almost over,today being the only day of the year appropriate to say to someone “see you next year.” Isn’t it cheeky? next year is tomorrow! Other days, it sound so far away. Usually I get a bit soppy on new years but I don’t have any excuses to do that this year. Here’s a treat for you Hogmanay gay divorcees out there, a film about the exposure of a corrupt politicians. Riveting.
I know, I know, I didn’t use a VHS ‘video toaster’ to make this. It’s a combination of the bad talk radio podcast, with some of my footage accumulated over time that’s taking up HDD space. Thought it might be more useful if i did something with it, I have lots of long shots of the world outside my window which look pretty nice. A kind of lazy music video. You’re pretty lazy yourself.
Note: the latter half of the video has some extra drunk, mega drunk, shakycam shots that i did not screen for quality. Might make you seasick.